My last post was about the difficulty of imaging Cedar Breaks. One solution to the difficulty is, of course, to turn away from the rim. With your back to the breaks, the ground is relatively flat and you have only to sort out the vegetation. One way to do that is to frame up a pleasing collection of vertical shapes—spruce, fir, elk weed—emerging from a lush bed of ligusticum and columbine. Another is to isolate a little stand and set it against the sky. Better?
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